李·戈雷维茨是一位脾气火爆、直言不讳的女性，即便在努力应对阿尔茨海默病日益复杂、令人困惑的局面时，她也会对事物的本质进行哲学思考。这是PBS Indies / Independent Lens的精选作品。

'I Don't Love You Like That' follows a brash love addict and a guarded virgin, two hilariously opposite gay best friends as one learns to love and the other learns to let it go.

I Don't Belong Here" follows the creative process of the play, with the same name, conceived from the personal experiences of the performers themselves, who were deported unexpectedly to Azores from the United States and Canada.

Sparked by the fragile frustration of navigating through any single thing that hangs by a single thread. We all know what it means to introduce. We all know what it means to move on and a lot of us know what it’s like to stay on the line.

As Emilia and Maxine spy on their best friend's first date, they come to realize the chemistry might not be between the couple they anticipated.

An emotional drama about teenage Asako and her relationship with Yuhei, a man who became a father figure to her for six months when she was five years old after he started dating her mother. Thirteen years later, she discovers he is serving a prison sentence, having been convicted of her mother’s murder.

Two young people share their lives and homes for two years.

Sparks fly in this upbeat and funny film about the lives of Mei, Kenny, Ciaran, and Niamh, four young people coping with a tangle of friendships, family life, and local politics in Belfast. Mei, a local Chinese girl, finds that falling in love with Kenny, a Protestant boy, is far from simple as they try to negotiate their way through their cultural differences. Complications arise for both of them when their relationship overlaps with that of Ciaran and Niamh from the Catholic Falls Road. Matters finally come to a head in a frightening confrontation which severely tests cross-community relations. This ‘made for schools’ drama explores the narrow ground of conflicting loyalties, identities and family traditions. Shining through is the Belfast humour – sometimes unforgiving, but more often full of warmth and humanity. The film is scored by John O’Neill of the Undertones.

The unfulfilled dreams of his parents and the tensions created at home cause life to become a nightmare for a youngster who seeks release in a withdrawal to his own world.

A rag-tag group of thieves rob a bank. The only problem? They're all undercover cops, unaware of each other's identities.